
Harmonizing Mesh Count to Line Count
July 13, 2021
By: Art Dobie Harmonizing screen mesh count to halftone line count can limit the possibility for moire and influence achievable tonal range. Moiré is an optical interference pattern that appears when two or more incompatible image frequencies are overlayed on one another. A common source of moire patterns is an improper match between the mesh […]

The Effects of an Underexposed Screen
November 25, 2019
By Mick Orr, Applications Training Specialist for Chromaline Download the article as a pdf >> The effects of underexposure can be hard to detect because they come in small doses. You get used to working around these glitches on a day-to-day basis, but in the end they accumulate and affect your bottom line. Three Screen […]

Drying A Screen for Screen Printing
November 12, 2019
A properly made screen is the most critical part of the screen printing process. After you coat your screen, properly drying your emulsion coated screen for screen printing will avoid issues on press later. Follow these Quick Mick Tips to ensure a properly dried screen. Proper Lighting When Drying A Screen for Screen Printing The […]

Drying Inkjet Film When It’s Humid
July 8, 2019
In our last post we covered how to fight humidity using ChromaLime Premium Emulsion during the screen making process. But before you even get to making your stencil, do you notice that your positives seem a little damp or that they stick to bottom of the screen while exposing? Or maybe you can’t stack them […]

Q&A: Help! Emulsion Remover Dried On My Screen
June 24, 2019
In this Q&A, Mick addresses a common question we receive about what to do when emulsion remover dries on the screen during the reclaiming process. QUESTION: Hello. I went to reclaim my screen after printing. I applied Chroma/Strip screen reclaimer but then I got distracted with a phone call and forgot about it. The emulsion […]

Top 5 Causes of Undercutting When Making a Screen
June 17, 2019
There are many variables that can affect a print’s quality during screen printing. Don’t let a bad stencil be one of them. When talking about screen printing, undercutting refers to the reduction of the size of an image due to light traveling beneath the film positive. Check out these top five screen printing tips for […]

Epson P400 Printer Package Setup
January 20, 2019
The Epson P400 Printer Package by Chromaline is designed to deliver high-quality photopositives and photonegatives. Lower your cost-per-print by utilizing the P400’s ability to feed our compatible AccuJet rolls. Produce the deepest black prints by charging all 8 channels with Chromaline’s UV-blocking all black AccuInk set. All easily configured by the latest, FilmMaker v10 RIP […]

Inkjet Printer vs. Laser Printer
December 1, 2018
We often get asked what printer is best to use, a laser or inkjet? Here are three advantages of making photopositives and photonegatives with inkjet printers over laser printers or thermal imagesetters. Equipment Cost Equipment cost is a lot lower with an inkjet printer. Inkjet printers are relatively inexpensive, and typically cost a fraction of […]

Good Screen, Bad Screen
September 12, 2012
It isn’t really a matter of a good screen going bad, as much as a bad screen being used. Bad screens are just…bad. If allowed onto the press they affect print quality. Print quality is usually broken down into two areas: resolution and ink deposit. However, one area that is over-looked in many shops is […]

The “10% When 80%” Rule
July 8, 2011
Finally! Summer is here. Warm weather, green grass, golf and fishing, and fun in the sun… as long as you are on vacation, that is. For a screen maker summer weather usually means more stencil problems. “Why so?” you ask. Summer weather, as nice as it is, also increases the humidity. Humidity can cause a […]